Demetrius Oliver is everywhere and nowhere in his artwork, which consists of photography, video, sculpture, and drawing. Counter to our identity-driven cultural moment, his work is anti-autobiographical and reveals little about the artist. This presence-absence dichotomy is achieved in part through Oliver’s process and choice of media. Drawing, photography, and performance effortlessly commingle, causing his artworks to defy categorization, and the omission of his hand through the use of digital photography and aerosol spray make his remove physical. Like geographical formations and natural phenomena, his work appears to have happened rather than to have been made.